Showing posts with label kindle. Show all posts
Showing posts with label kindle. Show all posts

Monday, September 18, 2017

The Far Shores of Saucerland: FREE

The Far Shores of Saucerland is now (and has been for a few months, oops!) available on Amazon both in Kindle and paperback formats. 
Here is the link: 

Saucerland will be available for free from 9/22 - 9/24 as a SLCC special (see previous post)

In addition, Monsters of Utopia will be available for $0.99 during the same days as a Kindle Countdown Deal.
Here is that link:
https://www.amazon.com/Monsters-Utopia-fairy-tale-manifesto-ebook/dp/B01MXX81UA


Thanks,


Cameron

Salt Lake Comic Con, here I come!

I’m excited and a bit nervous. I have the great, good luck of being a panelist at Salt Lake Comic Con this Friday, 9/22/17. I’ll enjoy attending the con as a fan and I’m nervous/excited about being part of one of the many panels the con hosts throughout its three days.
For the past several years, my wife and I have attended both the Salt Lake Comic Con (Fall) and the FanXperience (Spring) in Salt Lake City, UT. From where we live, Salt Lake is a few hours away via a beautiful drive through mountains and high desert. When we first went, I had my doubts. I’ve been more of a quiet nerd for most of my life keeping my extensive knowledge of comic books and science fiction under wraps until I got to know people pretty well. So, going to a place where everybody was letting it all hang out, so to speak, was fairly daunting to me. 
I am glad to say that whatever doubts I had were erased within the first few minutes of attending SLCC. The atmosphere at the con (I’ve attended since 2014, it’s been in existence since 2013) is amazing. There are whole families who make the trip as well as couples, singles and large groups. And, everyone is there to have fun and be nice. That last part sounds a bit weird but it may very well be the best part of the experience. I’ve traveled to a number of foreign countries and been in some very large crowds (Tiananmen Square on May Day in the early 2000s was a sight to behold!) both in the United States and abroad. I’ve never felt anything like the warmth and collegiality of the crowds at Salt Lake Comic Con. There were 130,000 or so people at the last con but it felt like I was walking around my home town bumping into familiar people (that I didn’t really know but I had a common bond with). Everyone is happy, excited, happy, occasionally loud, happy, tired from walking around so much because there is so much to see, taking lots of pictures and happy. SLCC is like the ultimate county fair for fans of science fiction and fantasy. If you get a chance, you should go. Just go.
Here’s the site: http://saltlakecomiccon.com

An Unexpected Trilogy

Over the past year and a half, I’ve published/worked on three books (Monsters of Utopia, The Far Shores of Saucerland and an as yet unpublished work in progress) that started out as completely separate from each other but have (kinda, sorta) developed into a trilogy. Not your traditional type of trilogy by any means. There is no over-arching story that continues from one book to the next. There are no recurring characters (with one, possible exception). But there is a certain thematic similarity and a structural element that they share in common.
This Unexpected Trilogy starts with Monsters of Utopia. I like to think of Monsters as a somewhat off-kilter, amusing, slightly surreal take on the alien invasion trope. The aliens this time are giant, flying jellyfish (there are other aliens and the jellyfish may not be, in fact, alien to this planet but you have to read the book to get the details). At a certain point in the story one of the characters switches up his verbal style. It was that section and the fun I had in writing it plus the visit by two of the main characters to a place referred to simply as “The City” that (this is all obvious in hindsight but I was not consciously aware of it at the time) led me to writing Saucerland and to do so in what I call “stanza format,” which is the same format that I am using for my work in progress. I don’t consider myself a poet (I really don’t pay attention to rhyme scheme, meter, etc.) but being that I am in the middle of my second long-form, narrative poem(ish) work I might have to reassess that assessment. 
So, parts of Monsters led me to write Saucerland which is a riff on epic poems such as the Iliad, De Rerum Natura and the Aeneid. I did take seven years of Latin in high school and college and that part of my education is leaking through into my creative output. Why now? I don’t know. Maybe it’s the alignment of the planets.
Saucerland led me to my current work (in progress, have I noted that before?). I found writing in the short lines of the stanza format to be liberating. This is where I start to sound like a a pretentious artist. I hate that. But it’s hard to discuss my work without coming off that way. That’s why I don’t discuss my work that much. I’ll need to get over that. Anyway, the stanza format has for me a “spoken word performance” element to it. I sent a copy of Saucerland to my best friend from college (he’s a Theater professor) to get some feedback. He noted the choral/spoken word element, too, so I know that I’m not going crazy. The Iliad was (as far as scholars can tell) part of an ancient, oral tradition before it was put into written format. I tried to capture that sense of sitting around a campfire listening to a great storyteller. I think I succeeded.
Along with the stanza format/rhythm of speaking structural element, all three of the books (Monsters, Saucerland and Untitled Unpublished, look for it in the next couple of months) concern themselves in one way or another with the fairy world. The fairy world, to me, is a general term used to refer to the place(s) that we as humans have had encounters with throughout our recorded history (and, I suspect, long before we invented writing). Fairy World is, according to the tales told by people who have encountered some of its denizens and/or had the good/terrifying luck to visit it, magical, mysterious and confounding as well as essential to our human nature and vital to our well-being as a species. Is fairy world the source of creativity and genius? I don’t know for certain but it sure seems like it. To answer your question, yes, I have had some, minor experiences with fairy world. More on those some other time.

What does this all mean? I haven’t the slightest. But I am intrigued that a pattern has emerged from these three books that I had no intention of designing. So, something’s going on. I just don’t know what.

Monday, February 13, 2017

Saucerland - Selection III

I just added the last selection from "The Far Shores of Saucerland." These three, nonconsecutive excerpts should give you a enough of a sense of the work. I don't want to give it all away, after all.

Friday, February 10, 2017

Saucerland - Selection II

I added a second excerpt from Saucerland to that page today. I'll be adding more over the next couple of weeks. Stay tuned!

Monday, February 6, 2017

Saucerland

Over the next few weeks I will post selections from my current project "The Far Shores of Saucerland." It is my first (though I suspect not my last) attempt at long form, narrative poetry. That's a clunky description but it's the best I've got. It's not epic poetry because that, if I remember my college classes accurately, refers to a specific rhyming form. I was definitely inspired by The Iliad, The Aeneid and a handful of other long form, narrative poems that I've read over the years. If you haven't read Toby Barlow's "Sharp Teeth" do yourself a favor and go and do that now.

I've done a few editing passes on Saucerland and have it out to a couple of beta readers now. I aim to publish it in a month or so. Click on the Saucerland link under Pages to the right to read the selections.

Sunday, March 6, 2016

Monsters and other things

For my latest book, I've chosen to work with bookbaby.com. My newest title, "Monsters of Utopia" is now available on amazon.

Here's the link:
http://www.amazon.com/Monsters-Utopia-Fairy-Tale-Manifesto-ebook/dp/B01CIRJU44

Here's the cover:

I'm over 50K words into my next project. The working title is Doppelgänger. If the past is any guide to the future, the title will be different by the time I'm ready to publish. The story is set in the near future where America has been attacked by bombs and a plague. Society is geared around defending itself against terrorists. The latest attack blew off the head of the Statue of Liberty. The powers that be have a suspect in custody but he claims it was his doppelgänger that committed the crime.

Doppelgänger is very much a work in progress and I am sure the story will go through many changes  before I publish it. That's the process after all. Write, re-write, re-re-write, throw out a bunch of stuff, start over with the good parts, write, re-write, re-re-write...

I'll let you know when Monsters is listed on the other ebook stores.


Tuesday, September 15, 2015

Bad Author

Once again, my focus on writing and re-writing has turned me away from making regular blog entries. I'm sure glad blogging wasn't a new year's resolution for me because I would have failed miserably. Alas.

Enough of that. On to the important news.

I'm releasing a book in the next couple of weeks. Yes, it's finally done. And it's completely different from what it was when I posted last. Writing, re-writing, writing, re-writing, etc. Time Swerve Terminal and its variations are on the back burner for now. I will get back to them some time (next month? next year? I don't know).

The cover for the new book is below:



This is what I have so far and I don't think the cover will change much between now and the release. If I do change the details (i.e I've been playing around with variations of the title for the past few days), I'll let you know here when I post the amazon link to the book.

So, there it is. I haven't been not posting because I haven't been writing. No, those are untrue rumors. I haven't been posting because I have been writing and re-writing and writing....okay, you know what I mean.

Friday, April 3, 2015

And so it continues....

Writing, re-writing, re-doing, re-setting, re-booting. This is what i've been doing for the past several months. Time Swerve Terminal has changed. It's not the same book anymore. It's gone through at least two major overhauls. I've kept the names of some of the characters but changed others. I've changed the starting point of the story. I've changed its guts, its bones, its blood.

And it's all for the better.

As I went back through (what used to be) TST and tweaked a section here, changed the pace there, added a detail then took out some others, I saw the story anew. It shifted. It morphed. It faded to black then reappeared as a different beast. One that I had to write from scratch.

That's what I've been doing since the last post. I meant to write this post a while back. In fact, I'd convinced myself I did write it. That I'd sat down at the computer and posted it. But I didn't. Because when I sat down, I opened up the (what used to be) TST file to go over what I'd written that morning. An idea came to me. Then another. And another. I had to take notes. Then I had to write a paragraph. Then another. Then I lost track of the reason I'd sat down. I forgot about the blog entry. Then kept forgetting about it. Now, here I am months later.

I don't have a title for the redone book (Evo-Earth is the working title). It won't be out for a few months. I'm debating whether to make it a long book (c. 100K words, maybe 120K) or to break that down into two shorter books which I would publish at the same time. For all the talk about people having shorter attention spans these days many of the longer books published are the better selling ones. When we find something we like, we don't mind reading longer books. But maybe offering the public a shorter, cheaper start to a series (this will be a series) is the better way to go. I still need to think about it.

Sunday, November 16, 2014

The Joy of Rewriting

I used to hate rewriting. I love the creative flow of putting down the first draft. But not rewriting. The way the ideas, character arcs, plot devices and all the other details that make up a story come through to me is a rush. A high. Definitely an altered state of consciousness that is pleasurable in its own right and made even more so because of its outcome - a completed rough draft (or chapter or section or scene or whatever it is that I'm working on that day).

But then I have to rewrite. The time that flies by as I write the first draft now drags. The eagerness I approached my task as I wrote is now gone. I feel like I'm hacking away at my beautiful work, its precious ideas. I know my first draft is - by no means - perfect. But I see the beauty of its imperfection. Its awkward angles stand out like a half-hewn statue. Its uneven pace is like a toddler taking its first steps. It is a thing coming into itself and that process is delicate and gentle and unique. Never to be repeated in exactly the same way ever again.

However, as promising as the story is at that stage, it needs work. It can't grow on it own. It needs guidance. It needs polishing. I used to hate polishing. I felt like I was grinding down the details that made the story its own creature. I was stripping away its memorable and distinct qualities. Because of that, I hated rewriting. I plodded my way through it. I forced myself to do it. I felt like I was grinding myself down as I polished the story. And, to no one's surprise, the work wasn't as good. The stories were flatter, more predictable, more generic.

But that was four finished books and several dozen rough drafts along with a handful of short stories and their multiple drafts ago. Now, I look forward to rewriting. I am excited to finish the rough draft so that I can get my hands back in the clay, so to speak. With a fresh perspective, a new take, a different look at the material. Elements of the story that I had not consciously put in now jump out at me. I have several "ah ha" moments as I make new connections and the story grows fuller not lesser, more itself not less. Finishing the rough draft for me - now - is the true starting point of the story. The rough draft, as I rewrite it, begins to clarify and crystalize and shine with its own internal light and logic. When that light shines just so, I know the story done.


That's the joy of rewriting.

Monday, November 3, 2014

All Writing is Rewriting and Rewriting and Rewriting

Since my last post I have reworked Time Swerve Terminal significantly.  I received helpful feedback from my main beta readers which has lead me to re-evaluate the structure of the novel. Time travel stories, in my opinion, need to have a strong structure in order to sustain the moving back and forth in time. With TST I have attempted to make the time travel element not just a conceit or a convenient plot device but a inescapable element of the story. Inescapable for the main characters and the world portrayed as a whole.

I have cut some clunky scenes and added new material that helps clarify the main thrust of the narrative. These changes require that I go through the whole of the book several times over to make sure the changes all hang together as a coherent and, I hope, compelling story.

I find that every time I make a prediction as to when the rewriting will be complete, I then encounter another point in the story that begs for new focus. As such, I will say at this point that my goal (not a prediction) is to have TST ready by December.


Saturday, June 14, 2014

Title Change

Due to there already being a book with the title "Seeds of Memory" on Kindle/Amazon, I have changed the title of my soon to be released book.

The new title for the book is "Time Swerve Terminal."

The manuscript is currently out to my editor and I am working on ideas for the cover. I have a come up with a few options am mulling over which one to go with.

I'll post again when details of the release are more definite.

Thanks

Monday, May 26, 2014

Update: "Seeds of Memory"

For thhe past few months I have been working on my next book, "Seeds of Memory." I am in the final stages of editing and will publish the book on July 1st.

Here are the first few pages of the upcoming book.


Dr. Jacqueline Estrada was excited. Not the excited you get when you're young and Christmas is just around the corner. Or your birthday. Or the prom/big game. Or whatever. Dr. Estrada's excitement was a grown excitement. A mature thrill of long-delayed expectation. The kind you feel when you're about to walk across stage to receive your college degree. Or down the aisle to marry your beloved. But Dr. Estrada's excitement was fuller even than those. She had worked so terribly long and so terribly hard to get to where she was today. To where she is, "just about to be," she corrected herself mentally. "Just about to be, not quite yet, just about to be."

Her demonstration was a simple one. As all good examples of scientific breakthroughs are. "Have been." Archimedes jumping out of his bathtub. Galileo dropping his iron spheres from the tower. The apple falling on Newton's head. Einstein's dream of traveling on light beams. "The apple story is probably proverbial but it's a good one nonetheless." Dr. Estrada, thirty-two, daughter of immigrants, single, shy, naïve in that overly book-learned way that academics have and just about to change the world. "Just about."

She wore her starched, white lab coat like a shield. It fended off both self-doubt and unwanted suitors with its utilitarian formlessness. Donning the coat every morning was her private ritual. When the coat was on she was all business, details, serious. She surveyed the visiting dignitaries aligned in a Spartan row behind the observation glass. "There's no need for such dramatic precautions, "she thought. But the security team said otherwise.

Military security for a military project. That's the one element she'd change. The one element that didn't mesh with her vision of how this day would play out. In her mind, she'd stand before an expectant crowd in the hallowed halls of a venerated institute of higher learning to unveil her invention. But her funding applications had fallen on deaf ears. Whispers of bigotry behind the grant rejections hardened her already granite drive. "If not a university then a private donor. Or NASA."

Two and a half years later, two and half years of begging for monies to complete her project, she ended up in Albuquerque, NM. Kirtland Air Force Base, to be exact. Kissing cousin to Los Alamos Labs a bit farther north in the cloud shrouded mountains. Shades of the Manhattan Project hung like unwanted yet instructive didacts as she drove back and forth between the two laboratories on a weekly basis. Ghostly tales that rose up from the not-yet-completed landscape of the high desert. Watching the sunset's broken-sharded beams turn the sky into a hyper-real, three-dimensional kaleidoscope of aquamarine, pale pink, stirring blue and dusky rose, Dr. Estrada thought not for the first time or the last, "It's like god was called away when he was making this part of the world and he hasn't come back yet to finish what he started. Or, perhaps, he left it for us to finish."

She pulled the sharp, narrow lapels of her lab coat, brushed a wayward strand of hair back in place behind her ear and signaled her assistant to turn on the microphone so the gallery could hear her. She pointed behind her to a gleaming, stainless steel table atop which sat two objects. At one end was the slightly more rectangular than a true cube, obsidian super-processor. At the opposing end was the artificial astrocyte and neuron conglomerate suspended in thick, clear gel as it wrapped around the rods and beams of an inert scaffolding. The grayish pink of the "artificial brain" turned the intersections of the scaffolding into fuzzy squares. The rectilinear shape of the super-processor was mimicked by the blocky checks floating inside the gel. "It looks not a little like a moldy Rubik's cube," Estrada mused.

She focused on the faces behind the glass and said tersely trying to control her excitement, "On one end is the most advanced computer the world has ever seen. On the other end is the first of its kind artificial brain." She tsked softly as she thought, "'Artificial brain' is not accurate but it's a good label for those who aren't familiar with the neuroscience involved. 'Freeform neuron embedded, sensory integrated processing system' is a mouthful after all. More accurate but a mouthful."

She glanced at the floor and clasped her hands behind her back as she stepped deliberately closer to the glass separating her from the gallery. Chestfuls of tiny medals and little ribbons stared back at her. Expensive suits and military uniforms all cut from the same dower gray. Splashes of color from power ties and their female counterpart scarves declared, "Convince us." She looked up at the concrete slab of a ceiling and, also, at the source of her inspiration. Her ideas always felt like they came down to her from some, unknown and unknowable source high above.

She began, "Not to bore you with details, the past few decades of research into artificial intelligence has pursued one of two paths." She pointed back to the ends of the table in turn. She liked pointing. She felt commanding when she pointed and the eyes of the gallery followed. "Develop a means for consciousness to arise from silicon chips. Or develop a human brain that is as powerful as our supercomputers." She spun on her fancy heels, the ones she saw in the window in Santa Fe months ago and had been saving for this very occasion. "Both paths have met with - at best - limited results. It was my insight," she paused to let that sink in, "to combine the two approaches in order to develop a system, an organism that embodied the best aspects of both. What you see before you is the first stage, shall we say, perhaps the first rung on the next evolutionary ladder."

A murmur of disbelief shimmied out from behind the glass. She had expected that. She had wanted that. "Yes, I know. A bold statement. But a supported one as I am about to demonstrate. In order to understand, truly understand the significance of this development you must remember that down at the foundational level of reality, past atoms and sub-atomic particles, past the whole of the particle zoo as some of my colleagues like to call the quantum world, reality is built on information. Bits, microbits, nanobits and bits and bits and bits of information." 

Estrada allowed herself a knowing chuckle at her own joke. "It's even funnier if you know information theory," she thought then refocused on the gallery. "The universe is more akin to a great thought than the result of a massive explosion. An infinite web of information ties everything - via quantum entanglement and superposition - together. And I do mean everything. It is my assertion that if we can build a 'brain,' for lack of a better word, that can process even the slightest bit of the infinite information web in a direct and tangible manner then we can unlock the secrets of the universe. They, I firmly believe, won't even be secrets anymore. What up to now has been shrouded in mystery to even the brightest minds of our species will under the combined processing power of my Blended Intelligence read like an open book. A book of the universe. A book we can flip through to find out anything we want to find out. Any question we can conceive, the blended intelligence will be able to answer."

Dr. Estrada quick-stepped back to the table and its components. Her excitement was starting to get the better of her. "Time to stop talking and give 'em a show." She sat at a small console set to the side in order to give the members of the gallery a full view of the demonstration. She checked the readings trailing across her monitor. All were nominal. Just as it had been the hundred other times she ran this experiment. She primed the energy input for the system, held her hand up to the gallery then brought it down as she tapped the "combine" button on the screen. In moments the separate intelligences would merge into one coherent operating system. A new, blended intelligence unlike any other before in history.

As she brought her hand down, giant sparks erupted from the gel surrounding the artificial brain. Estrada was knocked to the ground. The stainless steel table began to glow red-hot. All Estrada could think as she clambered up from the ground was, "What has gone wrong? This has never happened before." Before she could approach the table, strong hands hooked under her armpits and dragged her out of the room as she fought against them. Her last slice of vision as the heavy, lead-lined door shut behind her showed the component table starting to melt under its own weight, as it grew hotter and hotter still. A lone question danced through her mind before she was hustled into the protective bunker at the end of the hall, "Where had all that excess energy come from?"

Monday, March 31, 2014

New Book: Seeds of Memory

I have just completed the rough draft of my next book, "Seeds of Memory." I am aiming for a June 1st release date. I will be sending it out to editors soon and going through it myself (several times over) for the next couple of months. When it is in decent shape, I'll post a free selection on this blog.

Also, shortly before release I'll add a page to this blog so you know what it's about. For now all I'll say is this: "Seeds of Memory" is a twist on time travel with artificial intelligence and genetic manipulation.

Tuesday, December 24, 2013

Covers and Links.


I have "Hold Still the Sky: the complete story" now available as both an ebook and a paperback. Here is the cover:


"Hold Still the Sky: the complete story" collects all six parts of this episodic novel. It is available in the amazon, barnes and noble and smashwords online stores. The paperback version is available, at this point, through amazon.com and createspace.com while the ebook version is available through all the stores mentioned linked below.

Links:

For those of you who don't know, Smashwords makes works available in a variety of formats (mobi, kindle, rtf, epub, pdf, pdb and more).


In addition to finishing up and publishing "Hold Still," I commissioned a new cover for the omnibus edition of Brief History of Humankind. Here it is:


The omnibus edition is now available through the kindle store on amazon.com. Over the next few months, I will make all three, individual "Brief History" titles and the omnibus edition available in other stores as well.

Link:

Both the "Hold Still" cover and the new omnibus cover were created by pixelstudio who I found on fiverr.com. 

Happy Holidays,
Cameron

Tuesday, November 26, 2013

Final Editing

I have begun the last stages of editing (proofreading, formatting, cover design, checking narrative flow, etc.) for Hold Still the Sky.

I will publish both "Part Six" (for those of you who have been following along as the separate parts came out) and "Hold Still the Sky: the complete story" sometime in the next couple of weeks. I will also publish a softcover version of the complete story.

Here's the image that will be the main part of the cover:


That's all for now,
Cameron

Tuesday, November 12, 2013

Free Stories

This is the second week of my free story offerings. Here is the schedule for the next few days:

Tuesday's story =
Old God Relocation Service

Wednesday's story =
H is for Hologram

Thursday's story =
The Flying Machine Blues

Thank you all who downloaded last week's stories. I've had a wonderful response so far. Better than I expected.

I will repeat these free offers and add some others over the next few weeks. If you know of anyone who might like my stories, please pass on the info. to them.

Thank again,
Cameron

Monday, November 4, 2013

Free Stories

Over the next several weeks I will be offering my short stories free through the Kindle Select Program. Each week I will offer one story free on Tuesday, another story on Wednesday and a third on Thursday. I will rotate the stories every couple of weeks so if you miss one you can download it free later.

Here is the video announcing the campaign:


This week's schedule is:

Tuesday - 

Wednesday -

Thursday -

Saturday, October 26, 2013

Altered Earth and Omnibus Edition

I have (finally!) finished re-editing and reformatting Altered Earth. It is up in the Kindle store and ready to go.

Also, I have (again, finally!) put together an Omnibus Edition (A Brief-History-Humankind-Omnibus-Edition) of the entire trilogy. This is something I've been looking forward to since I started the series back in July, 2011. And now it's done.

Next up: completing Hold Still the Sky. The goal is to have it up for purchase around Christmas.